Suicide Boys Art T-shirts
Success in the music industry was once literally a rely of life and death for the $uicideboy$. Also making an impact with suicide boys art t-shirts. The New Orleans rappers, Ruby da Cherry, 26, and $lick $loth, 27, started the duo after making a pact that if their careers didn’t take off when they reached age 30, they would take their own lives. Luckily, it didn’t come to that point. Despite limited media coverage, the duo has spent the ultimate two years racking up millions of plays on SoundCloud and YouTube with their depressive rhymes and punk rock aesthetic. “We just want to let all these people know, that have felt like outcasts, or have depression, mental problems, addictions… You’re no longer alone,” $lick says. “That’s what’s created this household that we now share.”Ruby (born Aristos Petrou) and $lick (born Scott Arceneaux Jr.), grew up in New Orleans’ East Bank and West Bank, respectively. The cousins bought in hassle collectively as kids, so their moms separated them for most of their teenage years.
The two spent their early to mid-teens separated, however found their way to music. When Ruby was younger, he taught himself to play the violin, drums and piano. As he acquired older, Ruby realized to rap after dipping in and out of punk bands. $loth began as a DJ and hosted mixtapes before he started rapping. After graduating high school, they reunited in 2013, and shaped G59 Records and $uicideboy$. Soon they began to drop mixtapes and over the next three years dropped 37 projects, such as standouts like Now The Moon’s Rising and Eternal Grey.
$uicideboy$ have launched tracks packed with rock-bottom rhymes and flows reminiscent of Bone Thugs-N-Harmony and Three 6 Mafia. Their efforts haven’t long gone unnoticed. “They discuss about actual things, matters a lot of kids can relate to that most mainstream rappers don’t talk about,” stated Miami spitter Pouya, who labored with the two on their collaborative $outh $ide $uicide mixtape.
The unsigned duo released installments 11-15 of the Kill Yourself series, persevered the global tour they started out this past spring and purpose to release their full-length debut album, I Don’t Wanna Die in New Orleans, in December. “The purpose me and Ruby do so many songs is this is our fuckin’ therapy, it’s the excellent remedy I’ve gotten to this day,” $lick adds. “And I wouldn’t want to [make music] with everybody except my high-quality friend and my cousin.”
Perhaps one of most abrasive artist within the rap genre, the $uicideboy$ have managed to conjure up some of the darkest thoughts of 2016 with once in a while satanic lyricism and horrific, bass crammed lure productions that would make Three 6 Mafia proud.
Utilizing these darker themes, the New Orleans duo has been able to depart a sturdy impact within the deepest geographical regions of hip hop’s underground. However, they have begun to attain consciousness from larger names like one of XXL’s 2016 Freshmen Denzel Curry, who they have additionally characteristic on one of the songs from their most latest project, Eternal Grey. Despite growth like this, the duo nonetheless stays in the shadows.
It will take some time for them to attain more traction within greater commercial aspects of the genre due to their sensitive concern be counted and heavy use of satanic references. Nevertheless, this is section of their enchantment in the underground to fans of harder-hitting sounds inside the genre. The big question is whether or not the team can ever simply gain big success when the component that’s using their contemporary reputation is the fact that they’re so specific from these in the limelight.
Nevertheless, one can’t doubt the ferocity of their lyricism when listening to their most ominous tracks, such as “Magazine” the place a manic Yung Christ acknowledges his twisted thinking state via rabid transport of his bars.
“Snapping like necks from that bank on the west/ Kurt Cobain veins, opium in my chest,” raps Yung Christ. “Escaped out the psych ward now I’m on a murder spree/ Voices interior of me won’t let me go to sleep/ Drowning in sound asleep pills blanketed in ashes/ Riding down Paris this lifestyles in no way mattered/ Ready to die bitch, I’m prepared to die/ I pull on this trigger bought blood on my satin.”
Ruby da Cherry also manages to stir up some in particular evil verses on tracks like “I Want To Believe,” taking inspiration from screamo thru his wince-inducing screeches midway thru his verse.
“Plague robbing grave/ Laced blunts with Fuckboy brains,” screams Ruby. “Plague up in flames/ Let the ash rain/ Ash king reigns/ Plague so fucking insane/ Don’t touch my fucking lane/ Don’t brush my fucking mane/ Go tuck your fucking chain.”
Even although a majority of their songs sound like they should belong to a scene from Clive Barker’s Hellraiser, there are a small amount of tracks that exhibit glimpses of the duo’s capability to come to be relatable and at times, empathetic. The duo uses “Low Key” as a heartfelt try to shed light on touchy topics like drug dependancy and depression by means of speakme about their personal struggles. Yung Christ, in particular, went into explicit small print about his unlucky addiction to opiates in a 2015 interview with No Jumper, which is why his trip serves as a key contributor to the emotional weight the track carries.
“Now I’m lower back to square one/ With my hand on the gun,” raps Yung Christ. “Mama screaming ‘son/ Don’t do it, I love you, don’t do it, don’t do it, don’t do … ‘/ I can’t assist this feeling/ Don’t you see that I need all these prescriptions/ This ain’t no living/ It’s solely a imaginative and prescient of the vicious cycle that is my addiction.”
Yung Christ’s self-aware lyrics no longer solely highlight the severity of his addiction, but the have an impact on it has on his loved ones and how shutting them out has come to be activities because of his drug use and depression. With artists like Kid Cudi and most these days Kanye West looking for help for their mental health, the $uicideboy$’ message within songs like “Low Key” are extraordinarily applicable and serve as a bold reminder of the severity of troubles like melancholy and addiction. I trust that if the $uicideboy$ commence to slowly go with the flow away from their darker difficulty rely and get greater actual with their listeners — as they do on some tracks — that they may have a brighter future within the genre. Not solely that, but they will be in a position to provide a effective voice to all who suffer from despair or war with an addiction, which is some thing that we have no longer quite but considered within the rap game. Check out these suicide boys art t-shirts.